Look What She Made Me Do // Taylor Swift and Marketplace Feminism

Yes, yes, I know – floods, Nazis, everything is terrible right now. But you’d be forgiven for not being entirely in the loop; as I’m sure you all know, there’s been a recent major international event that’s been permeating our consciousness.

Taylor Swift has released a new song!

(Wait guys, there’s more)

The song has a video!

Ring the alarms, the world’s gone crazy.

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It’s alarming, truly, how disarming she can be // A Personal History Through Lana Del Rey

 

Last week, when Q and E listened to Lust for Life, we got deep in our LDR feels and spent a while recalling our favourite Lana-inspired memories.

Here’s an annotated discography of Lana Del Rey nostalgia.

Photographer:  Nicole Nodland

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George Michael, Prince & David Bowie || The Soundtrack Against Toxic Masculinity

God wasn’t 2016 rubbish? In the next few weeks, Boshemia will almost definitely be musing over how god awful the last year was, but today we’re going to be looking at one of the prevailing themes of the year: Toxic Masculinity. In a year of Trump asserting his masculinity in dangerous ways over everything he seemed to cross, and then somehow getting awarded for it; a year of Brexit and the following fight for the Prime Minister spot being nothing more than a dick measuring contest, only for the cursed position to go for a woman, almost certainly setting her up for failure. In a year of rape accusations, police shootings, terrorist attacks (good god the year’s even worse when you write it all down!), we coincidentally lost three icons of masculinity and gender subversion. On December 25th, aged 53, George Michael joined Prince and David Bowie in the pantheon of people destroyed by 2016; the trifecta of 80s queer icons has gone, politicians are swiftly moonwalking away from identity politics, and the world is basking in the stench of toxic masculinity. Merry Christmas.

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How to Make LEMONADE

Biographical, confessional, raw, deviant, dope. A few words to describe the experience that is Beyoncé’s latest album, LEMONADE.

I have been sippin’ on Beyoncé’s LEMONADE for about a week now, trying to savor and make sense of the feminist mogul’s alchemical mix of r&b, soul, rock, and country music. Interlaced with spoken word poetry and her own home videos, Bey even samples the sweet sounds of James Blake, The Weeknd, Jack White, and Kendrick Lamar and layers them richly together to create a trans-genre cinematic/musical manifesto that dropped last weekend on Tidal.

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