Gin With A View || A Review of Gin Festival Torquay

Boshemia loves gin. Period.

Can you imagine our delight when the UK contingent of Boshemia were lucky enough to be invited to GinFestival.com‘s event in Torquay on Friday evening?

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Bo-Arts || Woman of the Year (Part 2)

Bo-Arts is a bi-weekly art/literature initiative. Twice a month,  Boshemia will share creative writing and visual art submissions from our readers and folks who identify as feminist to give a larger audience to emerging creatives. Our goal is to provide a platform for feminist artists to share and discuss their work.

This issue of Bo-Arts, Woman of the Year: Part 2, is the second installment of the poem-and-photography collaborations brought to you by a duo from Frederick, Maryland, USA.  Anna See-Jachowski is a poet and feminist thrilled to be working with Boshemia. Anna, her partner Matt, and their four cats live in Frederick. Emily Jessee is a young feminist creative who uses platforms like photography to portray the harshness and vulnerability of the world around her.

Artist’s Statement – from Anna
 These poems are part of a series I plan to self-publish this year, titled Woman of the Year. Each poem represents a period in a young artist’s life in which they find love, a muse, and desperately seek the meaning of that experience. The five poems are a taste of what the series will offer, and explore the deadly combination of desperation and anger felt when a lover leaves;  the lovely vulnerability of falling asleep around people you love; the ritual of hedonism in summertime; and finally, the artist’s banishment of her muse for the sake of her own recovery from trauma. Read more of Anna’s artist’s statement here.
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photography by Emily Jessee

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Farewell, Princess.

Today, Carrie Fisher’s daughter released a statement via People stating that her mother had passed away aged 60 following a heart attack on a flight home to LA on 23rd December. At the end of a very long year filled with many deaths of beloved celebrities, this is one which will touch the hearts of many generations of people from all walks of life. From long-time followers to people who were helped by her candid and honest accounts of mental illness to brand new fans brought on board by last year’s The Force Awakens, Carrie’s death will certainly be a tough one to swallow.

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Sense8 & The OA || Trans Representation in Netflix Sci-Fis

Netflix original series have been carving out much-needed spaces for transgender representation this year. While the year 2016 has been an unrelenting shitshow for women, people of colorthe LGBTQ+ community, and humanity at large, a glimmer of solace and social progress can be found in the strong casting and authentic characters of Netflix’s original science fiction series Sense8 and The OA. 

A Brief Look at Recent Trans TV History

Before Sense8 and The OA, a handful of widely streamed web series have and continue to feature trans characters—Transparent and Orange Is The New Black, most notably. These shows present extraordinary events within “normal circumstances”— in Transparent,  Jeffrey Tambor plays Maura Pfefferman, a transgender mother who undergoes gender reassignment surgery; in Orange is the New Black, viewers get an inside look at a women’s prison in America, discovering the complex lives of incarcerated LGBT women—including a transgender woman Sophia—played by Laverne Cox.

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Cox via Splash

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Boshemia Gives Thanks

It’s that time of year again.

Awkward family gatherings, a shit ton of turkey and pumpkin, and a general guilt amongst the white American population about the origins of the holiday.

Thanksgiving, no matter its origins, history or current associations, is a wonderful moment in the calendar year; a rare moment of widespread calm and togetherness. It is a time when Americans finally stop and take a moment to reflect on the things that they are truly thankful for.

With 1/3 of Boshemia being American,  it seemed only fitting to stop and reflect ourselves on what Boshemia is thankful for.

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Brexit & Trump; A Victory for the Disenfranchised?

Today’s guest writer is a scholarly friend of the blog. John is a DPhil Theology student at the University of Oxford who is specialising in fourth-century Christianity. His key interests are intersectional feminism, the history of European philosophy and left-wing politics.

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Only a couple of days after Donald Trump’s presidential victory, a photo was released showing Trump and Nigel Farage, the leader of the United Kingdom Independence Party (not, as FOX would have you believe, the leader of the opposition) in a lift, wearing expensive suits, surrounded by polished marble and filigreed metal. We’ve all seen it. Considering their backgrounds, this is to be expected – Trump is a billionaire born to the ultra-rich, and Farage is a privately-educated ex-city trader born to a city trader. They are every bit the essence of privilege – white, older rich men. Yet both their recent campaigns tried to replace their privilege with compassion, declaring Brexit and Trump to be the manifestations of the will of the “left behind.”

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