Gin With A View || A Review of Gin Festival Torquay

Boshemia loves gin. Period.

Can you imagine our delight when the UK contingent of Boshemia were lucky enough to be invited to GinFestival.com‘s event in Torquay on Friday evening?

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Baby Screams Miracle || A Review

From Woolly Mammoth Theatre Company, Howard Shalwitz presents an ominous production about a rural American family in crisis. In Baby Screams Miracle, Obie-award-winning playwright Clare Barron elegantly weaves a duality of calm and peril into an intimate exploration of prayer and the forces of nature against humanity. The play is a story of survival, familiar only in its investigation of how fragile we are against nature and God. Baby Screams Miracle is a story for the faithful and faithless alike about a family united tenuously by their will to survive. Continue reading “Baby Screams Miracle || A Review”

The Hard Problem || A Review

From the Studio Theatre in Washington, Tom Stoppard’s  The Hard Problem tackles classic thorny debates of philosophy, psychology, and neuroscience with a fresh perspective and ample wit. Directed by Matt Torney, the play is a sterling example of the signature style we have come to expect from Stoppard—a script that doesn’t shy from controversy or high-brow intellect. The Hard Problem is an elegant exploration of the complicated beliefs surrounding consciousness, faith in the divine, and how we endeavor to reconcile the unexplained.

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The cast of The Hard Problem, via Studio Theatre

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C’est Magnifique || How to do Paris in a Weekend, Boshemia-style.

This weekend L & Q welcomed in the New Year with a romantic jaunt to la belle Paris. From the time our plane landed to the time we left French soil again, our trip totalled almost exactly 48 hours. In that time we not only saw all the major tourist landmarks, but also absorbed some local culture and authentic Parisian charm. Here is how we did Paris in a weekend.

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Q & L Discuss || First Thoughts on Gilmore Girls: A Year In The Life

WARNING, MAJOR MAJOR INTENSE SPOILERS AHEAD.

So, it’s been a week since Gilmore Girls: A Year in the Life went live on Netflix. The internet has had a lot of opinions and emotions about it, and Boshemia babes Q and L are no different (E is still on Season 2, sweet summer child that she is. Oh the things you have to come!). We got together to discuss our fresh-off-the-box, knee-jerk response thoughts on the revival.

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Straight White Men || A Review

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via Studio Theatre

Young Jean Lee has brought to Washington, D.C. audiences a deeply perceptive, provocative play about race and identity during a time when this particular demographic— straight, white, male—  is undergoing an essential investigation.  Straight White Men is no base attack on whiteness and masculinity, nor a send-up of xenophobic caricature or supremacist stereotype, but instead a nuanced examination of the “well-meaning white man.” Presented by the Studio Theatre and directed by Shana Cooper, Lee offers a thorough exploration of privilege, ambition, and the lasting effects of white guilt.

Emerging from New York’s avant-garde, Young Jean Lee is no upstart playwright, boasting 12 produced works under her belt and touted by The New York Times as “the most adventurous downtown playwright of her generation.” A veritable force in the contemporary theater world, Lee is known for her daring voice and experimental style, notably so in her 2011 production of Untitled Feminist Show. Straight White Men breaks her practice of non-traditional storytelling to present a linear, naturalistic performance that seduces traditional theatre-going audiences [white, wealthy] into confronting often unspoken anxieties about race [their whiteness].

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EXCLUSIVE REVIEW || Fantastic Beasts and Where To Find Them

Boshemia writer L was lucky enough to attend an advance screening of Fantastic Beasts and Where to Find Them on premiere night. This review is spoiler-free.

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       This evening whilst sitting in the cinema watching the opening sequence for Fantastic Beasts and Where to Find Them, listening to the first bars of that all-too-familiar theme, I experienced a sensation I thought I had experienced for the very last time five years ago with Deathly Hallows Part 2; that goosebumpy, heart-fluttery, smile-twitching, thrill of watching a Harry Potter film for the first time. As the music swelled I could feel every single person in the room being swept back into that universe on a wondrous tide of nostalgia and anticipation, returning once more to that world which is so familiar and so comforting to generations of people. Only magic elicits that feeling.

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