Bo-Arts is a bi-weekly art/literature initiative.Twice a month, Boshemia will share creative writing and visual art submissions from our readers and folks who identify as feminist to give a larger audience to emerging creatives. Our goal is to provide a platform for feminist artists to share and discuss their work.
This issue of Bo-Arts, Woman of the Year: Part 3, is the third installment of the poem-and-photography collaborations brought to you by a duo from Frederick, Maryland, USA. Anna See-Jachowski is a poet and feminist thrilled to be working with Boshemia. Anna, her partner Matt, and their four cats live in Frederick. Emily Jessee is a young feminist creative who uses platforms like photography to portray the harshness and vulnerability of the world around her.
Voices of Resistance is an ongoing project at Boshemia to share narratives of activism in the current geopolitical climate. If you would like your story of activism shared with our global feminist community, contact us at email@example.com. This is our first installment.
For this first installment of Voices of Resistance, we turn to Appalachia—a region of the United States often overlooked—and remembered by many only for stereotypes of rural life, poverty, coal mining, and opioid abuse. This great swath of America has long endured sensationalized myths of identity and little media attention has been offered over the years to mitigate these perceptions.
Appalachia describes the cultural and geographical region in the contiguous United States that stretches from southern New York to northern Georgia, Alabama, and Mississippi. At the 2010 census, 25 million people were reported to inhabit this land of sleepy hollers and ancient mountains. That’s a substantial population to overlook, and that’s precisely what has happened.
Today, Wednesday 8th March, is International Women’s Day. Today is a day for action, for awareness, for advocacy; a day for celebrating the achievements of women throughout history and for taking a step back to examine how much further we still have to go. Today is about what you can do to further the journey towards equality for women – allwomen. Here are a few ways that you can participate.
From Woolly Mammoth Theatre Company, Howard Shalwitz presents an ominous production about a rural American family in crisis. In Baby Screams Miracle, Obie-award-winning playwright Clare Barron elegantly weaves a duality of calm and peril into an intimate exploration of prayer and the forces of nature against humanity. The play is a story of survival, familiar only in its investigation of how fragile we are against nature and God. Baby Screams Miracle is a story for the faithful and faithless alike about a family united tenuously by their will to survive. Continue reading “Baby Screams Miracle || A Review”→
On January 21st, 2017, millions of people around the globe marched in solidarity with women for a platform sparked by the guiding principles of the Women’s March on Washington. Estimated to be the largest one-day march in U.S. history alone, with three times as many people in attendance than at Trump’s inauguration, the Women’s March on Washington and the many sister marches of the world unified people from all walks of life under this platform: a call for civil rights, immigrant rights, reproductive freedom, LGBTQIA rights, environmental justice, and against violence. Women, nonbinary folks, men, and children took to the streets of every continent [thanks, Antartica!] to demand intersectional liberties and justice for all.
Here we have gathered photos and stories from American cities: New York, Pittsburgh, Santa Cruz, Seattle, and Washington, D.C, and of London, England. Boshemia staff writers Q and L share their experiences of marching on London together, and E reflects her experiences of marching on Washington, D.C.
This handful of testimonies is only a sample of the diverse lives who took to the streets of the world yesterday. We are grateful to our friends of the blog who have shared their stories and photographs with us.
From the Studio Theatre in Washington, Tom Stoppard’s The Hard Problem tackles classic thorny debates of philosophy, psychology, and neuroscience with a fresh perspective and ample wit. Directed by Matt Torney, the play is a sterling example of the signature style we have come to expect from Stoppard—a script that doesn’t shy from controversy or high-brow intellect. The Hard Problem is an elegant exploration of the complicated beliefs surrounding consciousness, faith in the divine, and how we endeavor to reconcile the unexplained.